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A Midsummer Night's Dream

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Meta-drama essentially refers to self-reflexivity that is experienced in plays. In this case, the play is sought to depict attention within it, which is usually termed as a dramatic artwork. In other words, meta-drama is described as a play within a play. Meta-drama is truly used to promote self-knowledge within the audience, position of the play in comparison to the entire world and stresses on the artistry of the play.

A Midsummer Night’s Dream is a play written by Shakespeare. It contains one of the remarkable distinctiveness of dramatic presentation and structure. Essentially, it has distinctly dissimilar plays that are inside the entire outline of the main play. Such a feature makes the work termed as a meta-dramatic play. It can be noticed that the author’s dexterous combination and buildup of the concurrently unfolding plays help in revealing the themes that lie within the main play. Correspondingly, Shakespeare utilizes the multiple play structure to increase his creativity that is actually questionable by many readers of the play. The humorist, jocular tone of the characters in the play serves to bring about contrast and fanciful plot of the play.

Act I scene II of the play clearly introduces the improbable dramatic troupe that is actually performed by Thisby and Pyramus, the laborers from the lower class. It should be noticed that these characters possess comic personality traits. It is characterized by the way they mispronounce words and their and bumbling habits. Generally, everything regarding the characters of Pyramus and Thisby in A Midsummer Night’s Dream is actually comical. On the other hand, the goofy characters in the play help in developing its main themes.

In Shakespeare’s play A Midsummer Night’s Dream, meta-dramatic feature is crammed within the characters who are generally the actors in the play. It can be noticed from the play that the Athenian lovers clearly lost their previous transfers roles and identities in the Athenian woods moonlight. Hermia is geared at ensuring that she is fully translated into Helena and discovers how one feels when he/she is disrespected (I, I, 6-18). Viewers realize that Lysander tries to play Demetrius who respected Helena. In this play, Puck is a complete character who turned out to be whatever he wishes. He can take the shape of stool that is thee footed, roasted crab and can also neigh like a foal (II, i, 27). Puck also enters the drama of the lovers as Demetrius and Lysander.

The association between dream and drama within the play actually makes the Shakespeare’s work a play within a play. From the play, Puck informs the audience that they are able to dismiss their play’s theatrical experience just like A Midsummer Night’s Dream. The apology made by Puck also corroborates the connection that revolves around drama and dream, which Shakespeare uses in the play. For instance, from the play this association is seen when the forest experience of the lovers appears to them as a frightening dream, and Theseus clearly discharges their escapade as being more odd than true. As the forest experience of the lovers occurs, it undoubtedly resembles a play, which in turn makes two plays occur in a single play. One of the plays occurs during the unkind death of Thisby and Pyramus where Bottom in collaboration with his crew acts the positions of dignified lovers. The other play is the forest play, which was directed and performed by Puck and Oberon (III, ii, 61).

A supernatural power of the language used in A Midsummer Night’s Dream makes it a meta-drama play. The author uses verse forms, panoramic passages and lists in his play.The use of these panoramic passages makes the audience act in accordance with the characters. (II, I, 25-38). The Shakespeare’s magical feature of using lists is associated with a magic performance. Shakespeare reveals illusion in A Midsummer Night’s Dream that decodes realism into actual drama. In conclusion, Shakespeare’s skillful utilization of techniques and resources made his play within a play a large analysis of artistic and dramatic processes.

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